Konyaku Haki sareta Reijou wo Hirotta Ore ga, Ikenai Koto wo Oshiekomu

On the run for crimes she did not commit, disgraced noblewoman Charlotte Evans collapses deep in the forest. A sorcerer named Allen Crawford—also known as the "Demon Lord"—finds and defends Charlotte from her pursuers. Since she has no place left to go, Allen takes pity on Charlotte and offers to hire her as a live-in maid.

Allen quickly realizes that Charlotte has faced ridicule and hatred all her life from her so-called noble family, and she has never known what true freedom feels like. He decides to teach her about all the naughty things the world has to offer and enables her to surrender to her whims and impulses. Charlotte's sweet innocence proves an obstacle to his plans, but Allen is determined to show her the kind of life her family has denied her.

Although he despises being social, Allen begins to open himself up to Charlotte. The longer they live together, the more they discover their similarities. Though most people have abandoned them, the duo promises to stay together, oblivious to their budding feelings for each other.

[Written by MAL Rewrite]

Evans, Charlotte Main

Hayami, Saori Japanese

Crawford, Allen Main

Sugita, Tomokazu Japanese

Gousetsu Supporting

Okiayu, Ryoutarou Japanese

Crawford, Eruca Supporting

Lynn Japanese

Bastetos, Miacha Supporting

Oozora, Naomi Japanese

Wallenstein, Dorothea Grimm Supporting

Nagae, Rika Japanese

Crawford, Liselotte Supporting

Kitou, Akari Japanese

Yoru Supporting

Kamio, Shinichirou Japanese

Evans, Natalia Supporting

Maeda, Kaori Japanese

Lu Supporting

Tanezaki, Atsumi Japanese

Ozawa, Fumihiro Producer

WEST GROUND Producer

Sakikawa, Sachiya Producer

Kawasaki, Natsuko Producer

Reviews

Aug 7, 2026

AlexAT

Recommended

Well, while being compared to, this show is definitely not Mahoutsukai no Yome. It just doesn't have the necessary depth and allure.
Nor it is just another Cinderella story, it's just too clever to be that.

This one is a really simplistic, easygoing, heartwarming and old-fashioned romcom giving you a good giggle. It plays at each and every common oldschool romcom trope with a taste, smoothly conveying just a slice of life story over what you just call a basic premise. For a difference, this one also totally avoids any ecchi or even a hint of it. The pacing is right. The art is decent and has ... no flaws for the genre despite being simple. The characters are, let's say, simple but all attuned to their places, background characters included. The comedy parts are good, well placed and totally not overboard, just at the level doctor ordered. Heck, every bit and element choice of the show is shining with a clear intent, somehow even the intentional (!!!) filler episode looked unnatural, exactly because it is intentional and so naturally fits in. I can't really say anything negative about this show, yes, it's that balanced.

And yes, it's so old-fashioned that it's just a soothing music for the sore eyes, ears, heart and whatever else. Starting it, I didn't think it would be anything that decent, but episode after episode it proved my expectations wrong over and over, keeping me tuned to its stable pace. It carefully traced between delivering, avoiding any extremities and becoming boring, leaving a good aftertaste.

In the end, if you long for medium rare run-of-the-mill relaxing romcom with no harems and nothing of extreme sort, go watch it as this one you definitely don't want to skip. Its length and story simplicity prevent it from going any close to masterpiece range, but it is certainly done with love, care and finesse.

Reviewer’s Rating: 8

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Jul 22, 2025

AeroGunz

Mixed Feelings

“I'm Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness” (I really despise those sort of long titles) is what happens when you have an actually interesting idea and give your audience blue balls all the same.

"I am part of that power which eternally wills evil and eternally works good", those words are uttered by Mephistopheles in Johann Wolfgang von Goethe’s “Faust” ( a very fine tragedy. Go read it). The main character of this show — Allen — reminded me of it (mostly in the early episodes, later he mostly drops the act), despite the meaning of it, not fitting as ... well.

Before we start I would like to explain something. I will be talking about “plot” and “story”. Many people use those terms interchangeably. I’m not one of those people, so to make sure everyone is on the same page…
I use the definitions for “plot” and “story” as Lisa Cron describes them:
“What happens in the story is the PLOT, the surface events.”
“STORY is about how the things that happen affect someone in pursuit of a difficult goal, and how that person changes internally as a result”.

First thing’s first, this show has a very, how should I put it… very specific definition of “naughtiness”. So pull your mind out of the gutter, it won’t be anything raunchy. Yes, I was a bit disappointed as well but the show at least sets this up from episode 1 so You know what You’re getting into rather fast. Secondly, episodes 7 and 8 almost made me drop this show because they were so batshit crazy and dissociated from the greater story (the only thing that kept me with it was autism and OCD). Lastly, and most importantly, You know this show will give you blue balls (in a sense that You will not get anything that would even pretend to be a satisfying conclusion to a season) at the end even before episode 3 ends, yet there is something fascinating in watching this trainwreck. You know it’s bad, You know it’s lazy with a lot of its plot points and yet, I couldn't stop watching it (except episodes 7 and 8, those can go fuck themselves).

Let’s start with a story. You could say there are 3 stories set up, yes they do intertwine with each other and they all use the same characters but they could easily be separated into their own. First one is the obvious (ok, they are all obvious) - The healing and dealing with trauma by the female lead — Charlotte. The second one is Allen wanting to help Charlotte become her own person and live a happy life. The last one is their love story (I have many problems with how that one is handled, but it’s still there).
On paper they are all solid ideas. Especially the first two. The last one is cliché so in this case the plot would need to do the heavy lifting and serve the story to its fullest (it does not do that). The problem is that the plot doesn’t do a good job of organically developing and evolving them. Especially in the very beginning the way how Charlotte is handled is effing insulting and could be used as an argument that the writer isn’t exactly competent in handling delicate subjects. As a former therapist I consider PTSD and abuse as delicate subjects. Fascinating and entertaining but still delicate. The second story is… weak. It starts strong but pretty quickly takes a back seat and the third story takes over.

That’s a problem in itself. Let me spell it out. Allan wants to help a traumatized girl. Good. He actually starts with acting almost like an overprotective guardian with dark humour and over the top methods. Good. He actually starts caring about her. Good. He starts to realise that he could have romantic feelings for her… WHISKEY TANGO FOXTROT? He is aware of her situation and personality. He knows (or at least should know) that their relationship isn’t on equal footing. For most of the season she is subservient to him. He has much more independence and power in this dynamic. One could make a solid argument that up until episode (i think 10) Charlotte is dependent on him in almost everything. He provides her with everything. Food, shelter, money (at least he pays her), but she’s a stranger in a strange land and isn’t shown many times when she’s acting without Allan at her side. It’s a really effed up dynamic for a romance. I get it, there are many movies and books about a servant and master falling in love but I have feelings on many of them revolve around an abuse victim. I wouldn't mind them falling in love (it is a romance after all) but it’s too much and too fast. They should be closer to equal footing. Have Charlotte me more independent, have Allan see how she overcomes her past and learns to live anew. Have her talk back to Allan more and even scold him for his recklessness. After all that, make them realize that they have feelings for each other. Unfortunately apart from maybe the scolding part, they exhibit behaviours and thoughts of romantic content before she becomes her own person. I really don’t like that. Am I naïve?

Let’s talk about positives. Allan is OP AF but… I really don’t want to say “OP done right” because that’s not totally the case, but it’s OP done better than 90% of anime I saw in the last decade. He has magic that can do almost anything but that doesn’t matter because him being OP is not the focus of the show. He has some moments then he exposes his power and deals with problems but those problems are used to expose someone's personality, values or evolve one of the stories. The conflicts are not the focus. In the long run they don’t even matter. You don’t give a damn that Allan just defeated a creature that could level an entire mountain to save a tourist resort. You care that this act allowed Charlotte to become more of a person and discover her own magic power (granted it’s also too rushed and annoying but that is also not the main focus). I would say it’s close to what Kafka did in many of his works. Weird shit happens but that is not the focus. The focus is the internal world of the characters. In this regard it doesn’t matter that Allan is OP, what matters is his internal thought about why he is doing something, or in the case of saving the resort, why he isn’t doing something. It’s not great writing by any means but it’s much better than most crap with an OP character. Allan is acting in support of Charlotte and uses his powers to further that goal. There are surprisingly few moments when he acts just because he can. Yes his methods are often over the top, especially in the first episode but because of Charlotte’s character it would be difficult for him to make her act otherwise. So I’ll give credit where credit is due, Allan is a much better character than I expected and far better than most OP protagonists. He actually acts like a mentor for more time than a hero. I like that. His goal isn’t related to his role as an actor but as a mentor. That is a good idea and the writer actually tries to stick with it. I can respect that.

Charlotte… I have mixed feelings about her. She starts out strong. After the crap she went through her being subservient, scared and quiet makes a lot of sense. She should have her guard up with Allen in the beginning and try not to piss him off. That’s just basic survival logic. I also like that the Charlotte we get in episode 1 isn’t the same Charlotte we see at the very end of episode 12. She becomes bolder and more open during those 12 episodes.
My main gripe is that we don’t really see many moments when her change begins. From episode to episode she becomes bolder but it feels superficial. Apart from the incident at the market she seems to grow off screen. Like something important happened and we missed it. Now don’t get me wrong, I’m happy that she evolves but I wish it would feel more organic and thoughtful. Her having feelings for Allan also isn’t a bad idea. He’s probably the first man that is kind to her, in his own, over the top way. So her clutching onto him in search for safety and stability is logical. In those sorts of situations people sometimes interpret that need as love. Nothing exactly wrong with it but she should have some moments, or at least one, when she questions her own feelings. A sort of introspection when she questions is this love or just dependency (spoiler alert, those are not the same things, despite what some movies might tell you). Only after this sort of internal struggle should she consider Allan as a proper, potential, romantic partner. I get it, real love is messy and difficult. Anime sells a fantasy that it’s clean and pure. Maybe sometimes it is, but definitely not in a situation that Charlotte is. Her love life should be the most complicated thing in this show. Even more than just her healing. But it’s presented as something natural. The writer either has no idea about love and trauma (there are books about it by the way, it’s a fascinating subject), or just doesn’t care and focuses only on the “sweet and cuddly” part. Either way the show suffers for it. Especially that episodes 7 and 8 could be scrapped and in their place put something that actually serves the story… or all three. That would be nice.

Do I think this is a bad show?
Surprisingly… yes but… it’s entertaining.
It’s bad in a way that it leads nowhere at the end. We don’t get a proper payoff for those 12 episodes. They don’t kiss, they don’t share their feelings, they just… hold hands. You could argue that it’s a payoff but after the shit they both been through those 12 episodes it’s far too little to be satisfying.

Reviewer’s Rating: 6

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Mar 31, 2024

SethSilver66

Not Recommended

This anime had some potential with a nice start unfortunately it isn't able to keep it. By the 5th episode it starts to feel really tedious and repetitive while relying heavily on generic tropes. The story never really feels like it is progressing and any interesting ideas they have, they let go of right away. Even if you were to look at this as just a basic romcom I could name you 100 better ones to watch. While not absolutely horrible it also is less than pedestrian. In short it's no more than a lazy time killer with weak characters and weaker writing.

Reviewer’s Rating: 4

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	Poll: Konyaku Haki sareta Reijou wo Hirotta Ore ga, Ikenai Koto wo Oshiekomu Episode 2 Discussion Stark700 - Oct 11, 2023	40 replies	by PRANAV_J_001 »» Jul 14, 5:18 AM
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	Poll: Konyaku Haki sareta Reijou wo Hirotta Ore ga, Ikenai Koto wo Oshiekomu Episode 8 Discussion Stark700 - Nov 22, 2023	34 replies	by stealthyone »» Sep 18, 2025 4:18 PM
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