Another scary and heavy episode. Yet, it is a powerful one. Horror should be listed among this anime's genres — it is scarier than any horror title.
How long had it been since the mother saw her son? Twelve years or so? After all, Nanoka was about three when her parents separated, and now she is fifteen.
The scene where Koushirou visits his mother after all those years is excellent — especially the moment she cuts his hair. It is deeply realistic and profound, with magnificent direction and animation. The act of cutting his hair clearly holds symbolic meaning. Unable to find a way out of his tangle of suffering and doubts, the hero comes to his mother for help, and she renews him, clearing his head of unnecessary things. This enables him to make the right decisions and finally step up to act like a brother.
I love the sound of their socked feet stomping on the floorboards in their house in this anime.
Another sound that caught my attention is the faint buzz of the light switch when Koushirou turns on the light in Nanoka's room at their mother's house.
The old TV they used to have at home is drawn really nicely, with a lace tablecloth on it. I had a similar one and it also came with a lace tablecloth. And a flower in a pot. Koushirou's mother still has a flower in a pot on her CRT TV. That's sweet.
An amazing detail is the way little Koushirou pinches the tatami mat when his parents tell him they’re going to be living apart from now on.
I like the voice and acting of Nakamura Yuki, the seiyuu who voiced Nanoka. It’s a shame she’s only had two roles in her career. I wonder why there are so few.
The sky looks great when a sad and pensive Koushirou leaves work at 5:05 PM. And the music is pleasantly melancholic. That little scene really resonated with me:
The scene involving the glass of sand is excellent, of course. There’s no arguing with that.
I would certainly say that it's time for Koushirou to move out of his father's house and live on his own so he can grow up and not harm Nanoka. But Nanoka is still a child, and their father, as their mother said, really isn't someone you can count on.
Honestly, they should have just swapped places. Since Nanoka came to live with the father, Koushirou had to go live with the mother lol.
After that magnificent night scene in the kitchen — featuring a brief exchange between Koushirou and Nanoka and a crucial internal monologue from Koushirou —tears welled up in my eyes as the opening piano notes of the ending theme began to play.
It is a magnificent episode. And I say this not just because I am pleased with the conclusions and decisions Koushirou reaches by the end. The episode is magnificent in its depth and realism, as well as its stunning attention to detail — details that reveal and develop the characters far more than dialogue or direct actions do.
Even though it’s been sixteen years, someone has to point out that the girl who started this thread commented on the wrong episode. Ideally, her post should be removed by the moderators for being a spoiler. Even if it's a mild spoiler.
Bwaffles said:When they were laying in bed it didn't even feel like they were brother and sister anymore... I was actually hoping they'd just kiss and get it over with. Too bad he still hasn't learned to think before he speaks. @Bwaffles Even though it’s been sixteen years, someone has to point out that the girl who started this thread commented on the wrong episode. Ideally, the moderators should delete her post because it's a spoiler. Even if it's a mild one.
billybob300c said:don't get married. marriages always end in divorce. it's like watching a movie 100+ times over 5+ years & then realizing that the movie finally got boring. so then u move on and find another movie to fill up ur time. @billybob300c Dude, people don't get married to have fun and keep things interesting.
SaiDrew said:And the divorce was strange. The mother left and there wasn't a single proper farewell... idk, no one seemed "sad", although both parents did agree to split before anything big happens between them. @SaiDrew Their parents managed to hide their pain and sadness and the big things that happened between them from their children in order to protect them from it.
It is evident that the parents are still in deep pain. The mother’s gaze, her facial expressions, and her words. The way the father gets nervous and falls to the floor at the slightest provocation. |